Showing posts with label Just Watched. Show all posts
Showing posts with label Just Watched. Show all posts
Monday, March 7, 2011
Just Watched: Nobody Lives Forever
This 1946 noir gem has remained largely in the shadows but is a great showcase for John Garfield, cast as Nick Blake, a career confidence man returning from service in World War II and lured into a scheme by a number of former associates. He unintentionally falls for his mark, a wealthy widow played by Geraldine Fitzgerald. An excellent supporting cast includes George Tobias, Walter Brennen and Faye Emerson. Los Angeles is the backdrop by way of some nice stock shots and atmospheric set pieces, especially the low-end Hotel Eldorado and the run-down, fog enshrouded pier where the story reaches it climax. Rumor was that Bogart turned down the Blake part and that Garfield wasn't overly enthusiastic about taking on the role. Any such indifference was certainly not reflected in his performance.
Nobody Lives Forever was produced in 1944 but Warner Bros. kept in on the shelf for two years, possibly as a means of extending their association with Garfield whose departure from the studio was at that time perceived to be fairly imminent.
Departments
Classic Hollywood,
Just Watched
Tuesday, September 16, 2008
Just Watched: The More the Merrier
What a fun and wonderful film that so strongly echoes a place and time--Washington D.C. at the height of World War II, or at least as filtered through the lenses of Hollywood movie cameras.In The More the Merrier, one woman and two men share an apartment in the midst of a housing shortage in the capitol city. Jean Arthur, Joel McCrae and Oscar-winner Charles Coburn form the odd trio. Coburn's character, retired millionaire Benjamin Dingle plays cupid to the other two, Arthur's already engaged Connie Milligan and McCrea's soon to be shipped out soldier Joe Carter. It is a very funny film on so many levels, but most especially its frequent and hilariously choreographed pratfall comedy, and it clever, witty and often fast-spoken dialog that touches on much of the era's popular culture.
Two terrific exchanges exemplify that notion. First, Dingle and Carter together recite the parts from a Sunday Dick Tracy comic and then impart:
Dingle: "Gosh, that Dick Tracy is sure playing with dynamite."
Carter: "Sure is."
Milligan: "Is that the best you can do with your time?"
Carter: "Gotta keep up with what's going on."
Dingle: "I missed two Sundays with Superman once, and I've never felt right since."
And an equally funny dialog between Milligan and her young teenage neighbor about a particular American institution:
Morton: "Do I want to join the Boy Scouts or don't I?"
Milligan: "Well of course you do!"
Morton: "But I'm not the camp-craft type! So should I join because I don't like hunting and fishing and hiking and camp-craft, and ought to? Or not join because I don't like hunting and fishing and hiking and camp-craft?"
Milligan: "Well yes, definitely."
Morton : "Some problem. A person should know if he's the camp-craft type."
Washington D.C.'s wartime ratio of eight women to one man is one of the movie's underlying comedic themes and is featured prominently via women whistling at men and nightclub gender imbalances. Set dressings further evoke the era; a war bond poster can be seen near a timeclock, nightclub dancers are costumed in patriotic regalia.
A terrific movie and great snapshot of bygone popular culture.
Departments
Just Watched
Wednesday, July 30, 2008
Just Watched: Three Came Home
Upon rising each day and counting my blessings of family, health and home, I frequently also take a moment to give thanks for Turner Classic Movies. I have been a fan of vintage and classic films since my youth, but TCM almost daily exposes me to both high profile films I've long managed to miss and low profile gems I was never aware of.Three Came Home would most certainly fit in the latter category though it was generally well received upon its release in 1950. It was based on the true story of American writer Agnes Newton Keith who, while living in Borneo during World War II, is captured by the invading Japanese and interned in a POW camp until the end of the war. Claudette Colbert portrayed Keith through her three and a half years of often harsh and brutal imprisonment.
Considering its postwar Hollywood pedigree, Three Came Home is often surprisingly forthright with its depiction of the conditions and treatment endured by Keith and her fellow prisoners. Beatings of women are frequently depicted and Colbert's character at one point survives an attempted rape by a guard, only to be later tortured for refusing to disavow the incident. She does find some degree of sympathy from the American-educated camp commander Lieutenant-Colonel Suga, who prior to the war was familiar with Keith's previously published book. Suga was played by Sessue Hayakawa, who would go on to be Oscar-nominated for a similar role in the 1957 film Bridge Over the River Kwai. Curiously, the film depicts the character of Suga somewhat sympathetically, portraying him as somewhat ignorant of the conditions around him. In reality, Tatsuji Suga, though documented by Keith and others as displaying a compassionate nature at times, oversaw prisoner camps notorious for torture, abuse and death. His legacy includes the infamous Sandakan Death Marches among other atrocities. He would likely have been executed for war crimes had he not commit suicide five days after his capture.
Agnes Newton Keith's book Three Came Home, from which the film was adapted, is no longer in print, but used copies are available through various online retailers. A 1947 Time Magazine review of the book observed:
Three Came Home doesn't try to tap tear ducts or beg reader sympathy. Mrs. Keith's story is full of suffering but singularly free of resentment. In a prefatory note that reads like a considered epilogue she rises above personal bitterness: "The Japanese in this book are as war made them, not as God did, and the same is true of the rest of us. We are not pleasant people here, for the story of war is always the story of hate; it makes no difference with whom one fights. The hate destroys you spiritually as the fighting destroys you bodily."
A profound observation on the part of Keith, that in many ways the movie adaptation manages to communicate.
Three Came Home is frequently shown on both Turner Classic Movies and the Fox Movie Channel.
Departments
Classic Hollywood,
Just Watched
