Henry J. Kaiser - Out to Launch

You can learn a lot from cartoons.

Case in point: the 1944 Warner Bros. cartoon The Weakly Reporter.  This particular Merrie Melody was a send-up of life on the home front during World War II, and featured numerous situations and references that are near indecipherable to many modern viewers.  One must literally reach to the bookshelf or search engine to even be able to understand the meaning and context of many of the short's gags.

The closing sequence of the cartoon pokes fun at the very rapid production of warships at American shipyards at the height of the war.  The closing shot of the film zooms in on a small shack in a shipyard.  A sign on the door says "HENRY J. KAISER - PRIVATE."  A smaller sign, hanging from a nail, proclaims, "BACK IN 2 MINUTES - OUT TO LAUNCH."  So of course it begs the question, who is, or was, Henry J. Kaiser?

Kaiser was a very well know American industrialist throughout much of the mid-20th century.  Prior to World War II, his construction firm worked on such high profile projects as the Hoover Dam and the Grand Coulee Dam.  He began building ships just prior to the war.  He became famous in the field for being a master of mass production.  According to Wikipedia:

He became most famous for the Kaiser Shipyard in Richmond, California during World War II, adopting production techniques that generated cargo ships on the average of one every 45 days. These ships became known as Liberty ships. He became world renowned when his teams built a ship in 4 days. The keel for the 10,500 ton Robert E. Peary was laid on Sunday, November 8, 1942, and the ship was launched in California from the Richmond Shipyard #2 on Thursday, November 12, four days and 15½ hours later. The previous record had been 10 days for the Liberty ship Joseph M. Teal.

His most famous and lasting legacy is likely Kaiser Permanente, considered to be the first health maintenance organization.  Kaiser passed away in 1967.

Hey, Got a Nickel, Mack?

A Hare Grows in Manhattan - 1947

"It was once the world’s largest restaurant chain, serving 800,000 people a day. It was Horn & Hardart, and its cavernous, waiterless establishments represented a combination of fast-food, vending and cafeteria-style eateries. These restaurants, with their chrome-and-glass coin-operated machines, brought high-tech, inexpensive eating to a low-tech era. Making their debut in Philadelphia in 1902, just up the street from Independence Hall, and reaching Manhattan in 1912, Horn & Hardart Automats became an American icon, celebrated in song and humor. With their uniform recipes and centralized commissary system of supplying their restaurants, the Automats were America’s first major fast-food chain."

Carolyn Hughes Crowley

Smithsonian Magazine, August 2001

"Horn and Hardart believed that the cafeteria-like eatery would be a success if they could provide quality food inexpensively and conveniently. Customers could drop a nickel into a slot next to chrome and glass displays, choosing a hot meal for five cents. The company instructed employees to be especially friendly—anyone, despite the amount of money they spent, was welcome in an automat and could stay as long as they wanted. Some customers, unable to afford the nickel meals, were welcome to make tomato soup out of hot water and ketchup for free. In the 1930s automats appealed to both the working class because of their prices and to the upper class for their quality food. During the Depression, the automats flourished with their inviting atmosphere, excellent food, and bargain prices."

Catherine Finn

Preservation Magazine, Jaunuary 2007

"A kiss may be grand, but it won't pay the rental on your humble flat,

or help you at the automat."

-from the song Diamonds Are a Girls Best Friend,

as performed by Marilyn Monroe in the film
Gentlemen Prefer Blondes.

Freeze Frame! - Henry and Leon

Over forty Hollywood personalities were featured in the 1941 Warner Brothers cartoon Hollywood Steps Out. Among the celebrities caricatured in that particular Looney Tunes short were Bing Crosby, Cary Grant, Edward G. Robinson, James Cagney, Humphrey Bogart and Mickey Rooney, just to name a few. Sitting at a reserved table in the then famous Ciro's nightclub however, were two gentlemen who would have likely gone unrecognized by audiences even back in 1941. The two individuals (left to right) are Henry Binder and Leon Schlesinger. Schlesinger of course was the producer of the Looney Tunes and Merry Melodies cartoons. Binder, less well know, served as Schlesinger's assistant.